Saturday 12 April 2014

Juliet

Secret letter-writing at 
Casa di Giulietta, Verona






In Verona, Shakespeare's literary figures of Romeo & Juliet are never far away. Juliet's balcony is fun to stroll by, but avoid the artificial museum (the Montagues and Capulets were real, but certainly didn't live there!) In the outer courtyard, it is touching to read all the declarations of love scribbled on the surrounding walls and even imprinted in surprisingly beautiful and colourful pieces of chewing gum pushed into the cracks. 






I wanted to delve deeper and thankfully Sara had a secret... The Italian government fund a scheme whereby anyone from around the world can write a letter to Juliet asking for advice with their love life and they are guaranteed a response from an international team of 'Juliets'. 



When she isn’t studying Italian Philosophy (I sat in on a brilliant class) Sara is a volunteer ‘Juliet’ and so together we spent the afternoon opening letters and reading heartfelt notes pleading for love, which we carefully replied to in our role of Juliet. The ladies give you chocolate and coffee and advise you to incorporate the themes of faith, hope and love into each reply. 



The bookcase in the corner had letters from Poland, Russia, India, America, Brazil...all over the world! There were letters from 12 year olds from Alabama wanting advice with their ‘crushes’ and also more profound letters from people of all ages looking for true love and hope. It is such a simple thing,  but the scheme provides so much hope for lonely souls out there.






Verona

Verona


I did not know what to expect of ‘Fair Verona’ beyond a dose of the Romeo & Juliet fairytale, but I really was swept off my feet. There is a sense of calm and lack of tourists, which create a relaxed atmosphere. We arrived at Sara’s bohemian little rooftop apartment by the Ponte Navi and immediately set out to explore. The three days were a truly hedonistic experience, we took beautiful walks in the afternoon sun amongst the Lilac trees, drank endless Vin Rossi, saw beautiful art and frequently lost all sense of time.






I began my wandering at San Duomo church where Titian’s ‘Assumption’ is the centrepiece. The ceiling is adorned with beautiful predellas in pastel palettes with a Romanesque cloister below. I then crossed to Verona’s biggest church, San Anastasia, which had a wonderfully comforting scent of incense wafting through its aisles. I sat on the floor to appreciate the weaving of organic patterns on the ceiling and admired the relief work by the altar. My final stop, San Fermo was particularly poignant, because my visit happened to coincide with their Choral practice - a deeply moving experience.





Back to the Art: the Castelvecchio museum is mind-blowing. The gallery fills the walls of the Meideval castle on the river Adige and is filled with spectacular Veronese art and Romanesque sculptures from centuries ago. The most magical element is the quantity of paintings still remaining – although fragmented – on its stone walls.





 I discovered two new favourites: the first was ‘Madonna of the Rose Garden’ by Stefano di Giovanni (1395-1455), which is almost like a Persian miniature, a scene whereby the Virgin and Child are surrounded by exotic birds, allegorical figures and roses on a background of gold leaf. The second was the museum’s most famous work, ‘Madonna and the Quail’, by Antonio Pisano, which is the central compartment of a polytych used for private collections. There are blue-winged angels, a gold leaf decorative sky and flora and fauna painted with the detail of a miniaturist. The Flemish paintings room is also fabulous.






Sara and I both run every morning and I must now declare that she took me on the most beautiful run I have every done in my life. I have run in many exotic locations, but nothing compares to running alongside the River Adige and up into the hills around San Pietro where the wildflowers grow. We yogis did our ‘Salutations to Sun’ as Verona stretched before us and then lay on the rocks to warm in the morning sun. 




There is no better way to clear one’s head. Eva also took me on an early evening passeggiata (stroll) along the hills above the city through orchards of lilac and cyprus trees where young Italians lie with bottles of Prosecco. It was truly the most heavenly walk I’ve ever taken. We emerged at San Pietro where we sat on the battlements with our feet dangling over the city and talked for a while. ‘Make Love Not War’ had been spray painted onto the city wall behind it, a phrase to make you smile.







For food, Sara and I bypassed the delicacy of ‘horse stew’ and frequented her local vegetable shop to gather fresh produce to cook with and we made delicious Italian salads of zuchinni, tomatoes, Melanzane, mozzerella with flowing balsamic vinegar and Olive Oil (perhaps from the old man with an olive press we’d passed in the hills). 







In the evenings we strolled past paper shops and found fun wine bars spilling into the streets after midnight where we settled for Vin Rossi and Grappa with local friends. Our last supper was at ‘Trattoria Fituviole Vecio Mulin’ on the river bank where we got very messy digging into platters of clams, mussels, langoustines and vegetables. Magdalena Bar followed for a sweet red dessert wine and strawberries smuggled in our handbags. With Sara’s Italian friends I had to mix my French, Latin and Spanish to communicate to my best level and join their philosophical talks, but as always my Italian improved with the wine!




Venice II

Punta Della Dogana
 Pinault Collection, Venice




We then got blissfully lost on the way to Punta Della Dogana to see the Pinault Collection of bizarre and interactive contemporary art.  As you can see below we got rather creative re-interpreting the compositions with our photography.











The ‘Prima Materia’ section of the exhibition was abstract and reflected upon ubiquitous and graphic images of war, social upheaval and abstract adversaries like technological terrorism.





                                      





Movement is key. 









Venice


Venice 




I have just returned from the Veneto region of Italy with my lovely friends Sara & Eva who are studying there. We spent half the time in Venice wandering its 118 islands before travelling to Verona. We were blessed with a friend’s gorgeous little apartment in an abandoned Palazzo to borrow on the Grand Canal.



Its walls were adorned with frescoes and in the early hours we’d sit on our window ledge dangling our toes above the water, falling in love with Venice by night. In the mornings we’d emerge from the covers and lie listening to the splashing of water as the first Gondolas went by.





With only three days in Venice and it being Spring, we wanted to stray from the tourist trail and discover its secrets especially in the wine bars, gardens and art. 

Despite being in the company of three friends fluent in Italian, the words ‘Vin Rossi’, ‘Sogni D’oro’, ‘l'acqua del rubinetto’ and ‘posso avere un bacio’ were always useful! Packing wise, black on black is the way to go and don’t show skin before May or you’ll declare yourself a tourist.





For food our favourite Osteria was the ramshackle, but delicious 'Paradiso Perduto', which serves platters of fresh octopus and more obscure varieties of seafood to share by candlelight. Thankfully, you only hear Italian voices over the gypsy music.




 On the last night the intimate hideaway Vini de Gigio – tucked away beside a dark little canal - was a little more grown up, but equally delicious for its melanzane, clams and wines.


For drinks Rialto was where we always went to drink Vin Rossi
and the infamous ‘Spritz’ on the docks with the rest of the young Venetians. Near our palazzo apartment was Al Cantinon Osteria, where Sara told me all about the intriguing and inspiring philosophers she’s learnt about in Verona. Hegel’s ‘The Death of Art’, Fish’s ‘Aesthetic distance’ and Plato’s essay on beauty are now on my reading list!




In the prestigious centre of the Sculo Grande of the Santa Maria della Carita (one of the most ancient lay fraternal orders of the city) I was easily swept up in the romance of Accademia. I was overwhelmed by the collection of Venetian paintings from the Byzantine and Gothic to the 14th century to works of artists like Carpaccio, Giorgione, Tintoretto, Tiziano through to the Vedutisti of the 18th century.



I discovered a new hero Jacopo Robusti whose allegorical images like ‘St Mark Rescues a Saracen’ left me spellbound. My favourite Bellini was ‘Madonna del Cherubini Rossi’, which resembled a surrealist work of Dali. As I sat sketching and taking notes in the gallery I felt a sense of tranquillity and release from the stress of the crowds outside, it’s the perfect place to find a moment of harmony. 




The Basilica Frari was an equally spiritual and calm place to light a candle and explore before the contemporary Pinault collection. As we boarded the 8.05 train to Verona we talked about how Venice is indeed one of the most beautiful places we’ve been, but how we were deeply saddened by the impact of tourism. The advice to ‘let yourself get lost’ is valuable, but going with Italians is the best thing you can do.



 Our most magic memories from the long weekend were the evenings we spent wandering the cobbled streets with Vin Rossi from Rialto and looking up at the wonderful architecture. To be in a city where the sky is truly dark at night is something so rare. This was the view from our bedroom at night...