Saturday, 12 April 2014

Verona

Verona


I did not know what to expect of ‘Fair Verona’ beyond a dose of the Romeo & Juliet fairytale, but I really was swept off my feet. There is a sense of calm and lack of tourists, which create a relaxed atmosphere. We arrived at Sara’s bohemian little rooftop apartment by the Ponte Navi and immediately set out to explore. The three days were a truly hedonistic experience, we took beautiful walks in the afternoon sun amongst the Lilac trees, drank endless Vin Rossi, saw beautiful art and frequently lost all sense of time.






I began my wandering at San Duomo church where Titian’s ‘Assumption’ is the centrepiece. The ceiling is adorned with beautiful predellas in pastel palettes with a Romanesque cloister below. I then crossed to Verona’s biggest church, San Anastasia, which had a wonderfully comforting scent of incense wafting through its aisles. I sat on the floor to appreciate the weaving of organic patterns on the ceiling and admired the relief work by the altar. My final stop, San Fermo was particularly poignant, because my visit happened to coincide with their Choral practice - a deeply moving experience.





Back to the Art: the Castelvecchio museum is mind-blowing. The gallery fills the walls of the Meideval castle on the river Adige and is filled with spectacular Veronese art and Romanesque sculptures from centuries ago. The most magical element is the quantity of paintings still remaining – although fragmented – on its stone walls.





 I discovered two new favourites: the first was ‘Madonna of the Rose Garden’ by Stefano di Giovanni (1395-1455), which is almost like a Persian miniature, a scene whereby the Virgin and Child are surrounded by exotic birds, allegorical figures and roses on a background of gold leaf. The second was the museum’s most famous work, ‘Madonna and the Quail’, by Antonio Pisano, which is the central compartment of a polytych used for private collections. There are blue-winged angels, a gold leaf decorative sky and flora and fauna painted with the detail of a miniaturist. The Flemish paintings room is also fabulous.






Sara and I both run every morning and I must now declare that she took me on the most beautiful run I have every done in my life. I have run in many exotic locations, but nothing compares to running alongside the River Adige and up into the hills around San Pietro where the wildflowers grow. We yogis did our ‘Salutations to Sun’ as Verona stretched before us and then lay on the rocks to warm in the morning sun. 




There is no better way to clear one’s head. Eva also took me on an early evening passeggiata (stroll) along the hills above the city through orchards of lilac and cyprus trees where young Italians lie with bottles of Prosecco. It was truly the most heavenly walk I’ve ever taken. We emerged at San Pietro where we sat on the battlements with our feet dangling over the city and talked for a while. ‘Make Love Not War’ had been spray painted onto the city wall behind it, a phrase to make you smile.







For food, Sara and I bypassed the delicacy of ‘horse stew’ and frequented her local vegetable shop to gather fresh produce to cook with and we made delicious Italian salads of zuchinni, tomatoes, Melanzane, mozzerella with flowing balsamic vinegar and Olive Oil (perhaps from the old man with an olive press we’d passed in the hills). 







In the evenings we strolled past paper shops and found fun wine bars spilling into the streets after midnight where we settled for Vin Rossi and Grappa with local friends. Our last supper was at ‘Trattoria Fituviole Vecio Mulin’ on the river bank where we got very messy digging into platters of clams, mussels, langoustines and vegetables. Magdalena Bar followed for a sweet red dessert wine and strawberries smuggled in our handbags. With Sara’s Italian friends I had to mix my French, Latin and Spanish to communicate to my best level and join their philosophical talks, but as always my Italian improved with the wine!




Venice II

Punta Della Dogana
 Pinault Collection, Venice




We then got blissfully lost on the way to Punta Della Dogana to see the Pinault Collection of bizarre and interactive contemporary art.  As you can see below we got rather creative re-interpreting the compositions with our photography.











The ‘Prima Materia’ section of the exhibition was abstract and reflected upon ubiquitous and graphic images of war, social upheaval and abstract adversaries like technological terrorism.





                                      





Movement is key. 









Venice


Venice 




I have just returned from the Veneto region of Italy with my lovely friends Sara & Eva who are studying there. We spent half the time in Venice wandering its 118 islands before travelling to Verona. We were blessed with a friend’s gorgeous little apartment in an abandoned Palazzo to borrow on the Grand Canal.



Its walls were adorned with frescoes and in the early hours we’d sit on our window ledge dangling our toes above the water, falling in love with Venice by night. In the mornings we’d emerge from the covers and lie listening to the splashing of water as the first Gondolas went by.





With only three days in Venice and it being Spring, we wanted to stray from the tourist trail and discover its secrets especially in the wine bars, gardens and art. 

Despite being in the company of three friends fluent in Italian, the words ‘Vin Rossi’, ‘Sogni D’oro’, ‘l'acqua del rubinetto’ and ‘posso avere un bacio’ were always useful! Packing wise, black on black is the way to go and don’t show skin before May or you’ll declare yourself a tourist.





For food our favourite Osteria was the ramshackle, but delicious 'Paradiso Perduto', which serves platters of fresh octopus and more obscure varieties of seafood to share by candlelight. Thankfully, you only hear Italian voices over the gypsy music.




 On the last night the intimate hideaway Vini de Gigio – tucked away beside a dark little canal - was a little more grown up, but equally delicious for its melanzane, clams and wines.


For drinks Rialto was where we always went to drink Vin Rossi
and the infamous ‘Spritz’ on the docks with the rest of the young Venetians. Near our palazzo apartment was Al Cantinon Osteria, where Sara told me all about the intriguing and inspiring philosophers she’s learnt about in Verona. Hegel’s ‘The Death of Art’, Fish’s ‘Aesthetic distance’ and Plato’s essay on beauty are now on my reading list!




In the prestigious centre of the Sculo Grande of the Santa Maria della Carita (one of the most ancient lay fraternal orders of the city) I was easily swept up in the romance of Accademia. I was overwhelmed by the collection of Venetian paintings from the Byzantine and Gothic to the 14th century to works of artists like Carpaccio, Giorgione, Tintoretto, Tiziano through to the Vedutisti of the 18th century.



I discovered a new hero Jacopo Robusti whose allegorical images like ‘St Mark Rescues a Saracen’ left me spellbound. My favourite Bellini was ‘Madonna del Cherubini Rossi’, which resembled a surrealist work of Dali. As I sat sketching and taking notes in the gallery I felt a sense of tranquillity and release from the stress of the crowds outside, it’s the perfect place to find a moment of harmony. 




The Basilica Frari was an equally spiritual and calm place to light a candle and explore before the contemporary Pinault collection. As we boarded the 8.05 train to Verona we talked about how Venice is indeed one of the most beautiful places we’ve been, but how we were deeply saddened by the impact of tourism. The advice to ‘let yourself get lost’ is valuable, but going with Italians is the best thing you can do.



 Our most magic memories from the long weekend were the evenings we spent wandering the cobbled streets with Vin Rossi from Rialto and looking up at the wonderful architecture. To be in a city where the sky is truly dark at night is something so rare. This was the view from our bedroom at night...



Thursday, 10 April 2014

Punchdrunk



Punchdrunk's 
The Drowned Man: A Hollywood Fable




The elusive Punchdrunk Theatre Co.'s 'The Drowned Man: A Hollywood Fable'  was an experience like no other. We paid our £45 (best i've every spent) and expected the profound. We entered the three floor building wear masks - in silence - and were pushed out of a lift into terrifying total darkness. As our eyes adjusted to the abandoned set the heavy music was neurotic and intense and seemed to resonate in our souls as we struggled to think of anything else! It controlled our mood, lifting us, dropping us as the drama unfolded. It felt like wandering around in a dreamlike state of hallucination:  three hours of pure escapism. There was sex, nudity, violence and fear. A cocktail for raw entertainment. 




"Amidst the fading glamour of 1960s Los Angeles, stands Temple Studios – a crumbling monument to the golden age of film, seducing wide-eyed dreamers with the promise of wealth and fame. Here, movie stars mingle with hungry young upstarts, while beyond the gates lies a forgotten hinterland where the many rejected by the studio system scratch out a living. Inspired by Georg Büchner's fractured masterpiece Woyzeck, The Drowned Man explores the darkness of the Hollywood dream. Celluloid fantasy meets desperate reality, and certainty dissolves into a hallucinatory world"


The characters danced and chased each other around the labyrinth of rooms and floors, it was a physical challenge in itself to follow them. The story was set in a cowboy world out West and the set was brilliant. There were caravans, burnt out Cadillacs, diners and post offices and everything in them worked, was edible, you could even get into the bed with a whiskey if you so desired. I strayed from chasing the characters at one point and wandered into a post office where I sneakily opened a letter from the bottom of the pile. To my delight, it was a  hand written, neurotic letter between two of the play's lovers. Astounding attention to detail. 




The most awe inspiring scene was watching Dwayn in a state of agonizing delirium, throwing his body into the air in twists and turns verging on contortion. Before we knew it he was naked and writhing in the sand. Not to break the intensity of his performance, but there was comedy gold to be observed as every female spectator suddenly galloped across the set to watch this frolicking aerien nude (it was similar to the infamous Specsavers advert with the man on the beach)



 The performance plays with your mind, you could run to the third floor and stumble upon a scene you'd already watched unfold hours before. for example i had watched a waitress deliver a lemonade to her lover in the grocery store, then an hour later I found her making the very same lemonade back in the diner and skating off in his direction. The greatest pleasure was the childlike sense of discovery I found in myself as I ran alone through the building, searching for excitement in the darkness.


 At the end of the play, after a murder has been committed William pulls his lover's drowned corpse from the fountain and everybody gasped at how real it felt. If it all got too overwhelming during the performance there was a seductive speakeasy style bar hidden in the set, where you could watch a voluptuous singer dazzle you with her charms over a manhattan cocktail.
 It felt like a hallucination: hedonists join the queue. 

Watch the trailer and book your tickets!







Thursday, 3 April 2014

Crafted

Crafted: Makers of the Exceptional Showcase 
The Royal Academy, Burlington Gardens. 




Today I did a little work as Social Media Editor to the founder of Guilded Ltd (www.guilded.co.uk) at the Crafted Showcase. This hidden world of Great Britain's most talented craftsmen is being sponsored by Walpole British Luxury at The Royal Academy, Burlington Gardens. I was unsure of what to expect of a 'Crafted Showcase', given that the title slightly conjures up memories of little old ladies presenting their knitting accomplishments. However, I was pleasantly surprised and totally spellbound by a vast array of exquisite pieces from incredibly talented artists - some of which were present to demonstrate their construction processes.  



From light installations to bicycles, knitwear, watches and sculptures, there was something for everyone to lust after. Beyond Sophie Coryndon's gorgeous 'Vine' (shown above) are a few of my favourite pieces...


Emma Yeo - Latice Brass headpiece with navy chiffon silk hood inlay.



Gentleman's travel box.


 Geoffrey Preston - Decorative Plasterwork 


Alex Ramsay - Silver, glass enamels. 


Method Studio - City Bikes


Rothschild & Bickers - Hand blown glass and Metal lighting installation.


Gillie Jones - Blown wheel cut and sand carved green glass.




Hand knitted Fair Isle Jumpers. Her sketchbook and paints are shown above. 



Katie Walker's Ash finished chairs with White wax oil.